Back to Bioanalysis Essay Artistic creations are expressions by an artist - - they have a purpose. Though the characters may appear to be real, they are models. Discussions of the story should focus on how or why an artist created the work this way or that way. The following essay is a recent submission.
A feminist text will be written by a woman, and it will point out deficiencies in society regarding equal opportunity, and the reader will typically be aware of this motive. In a work of fiction, the main character, or heroine, personifies the social struggle against male domination.
By late 20th century standards, the behavior of John, the husband, seems eerily inappropriate and restrictive, but was considered quite normal in the 19th century. Charlotte and her brother grew up in an unhappy, cheerless home. Mother and children lived on the edge of poverty, moving nineteen times in eighteen years to fourteen different cities.
Soon after her marriage to Charles Stetson and the birth of her daughter, she fell into a deeply depressed condition and consulted Dr. Weir Mitchell who prescribed his famous rest cure. During most of her adult life, Gilman was heavily involved in politics and continued publishing her ideas through critical essays, novels and The Forerunner, a journal that she had written and published almost entirely by herself.
Lauter, Gilman was an early feminist, and her writings share a common theme that women do not have an equal human status in our society. Knowing that Gilman was a controversial figure for her day, and after reading her other works, it is easy to see more of her feminist allusions in The Yellow Wallpaper.
It seems that she has carefully crafted her sentences and metaphors to instill a picture of lurid and creepy male oppression. She falls just short of setting the scene for a ghost story.
The reference to old things and the past is a reference to out-dated practices and treatment of women, as she considers the future to hold more equality. By setting the story in this tone, Gilman alludes to practices of oppression that, in her mind, should be relegated to the past.
In the world of yellow wallpaper, a woman would naturally be fascinated by a garden. Despite her intuitive objections, she agrees to treatment for her depression because her husband wishes her to. It is the wallpaper, though, that is the focal-point of the story, and it holds within it many descriptive and fruitful metaphors for the insidious discrimination and oppression of women.
With steady patience and a methodical rhythm, Gilman exposes more and more insight into the meaning of the wallpaper throughout the story. She uses a slow and steady pace to release tidbits of metaphor that clue the reader to see the wallpaper as a symbol of male authority.
The beauty of the story, however, is that this build-up is very subtle, and only after reflection and contemplation can the symbols of the wallpaper be seen. Indeed, the character in the story cannot recognize them herself, and it is the struggle to see what is in the wallpaper that moves the reader along.
The text is sprinkled with metaphors and allegories concerning the paper; the references are complex and numerous. It contains many vague images, but acts as a paranoid menagerie of domination.
Gilman gives a sense that the wallpaper is ever-present and lurking, like the subtle rejections she faced as a female writer. The paper stains people and things, much like society passing its sense of protocol from person to person, father to son.
Each one can be read as a different facet of a male-centric society and its effect on women. Particular traits can only be seen under certain conditions, and they change over time.
This could be a symbol of the subtle methods of discrimination that women face, for they can only be seen at certain times and under certain conditions. A promotion may be passed or a novel rejected, but these actions of discrimination can be so subtly framed that they go largely unnoticed by the masses.
It is described as pervasive yet familiar, and makes an excellent metaphor for the pervasive and foul effects of male domination.
Gilman describes the odor magnificently, and one becomes repulsed by it.Charlotte Perkins Gilman was a feminist and a creative writer who wrote a compelling short story entitled The Yellow Wallpaper. Originally published in The New England Magazine in under her maiden name Stetson; feminism, individuality and symbolism are brought to the forefront thus taking the reader through the process of mental breakdown.
Charlotte Perkins Gilman wanted to represent the possibilities of the female sex, that they were restricted by a patriarchal society during the 19th and early 20th century.
The Bed Another overlooked metaphor within The Yellow Wallpaper is the bed. In The Yellow Wallpaper, a short story by Charlotte Gilman, there are many symbols within the text that one can construe a myriad of ways. One of the most prominent and perhaps the most important symbol is the titled yellow wallpaper.
To the main character. In “The Yellow Wallpaper”, Gilman skillfully reveals this aspect that drives woman desperate by fabricating the plotline of her own story.
Gilman’s narrator is confined in a nursery and forced to do nothing because it’s recommended for her mental illness. The Yellow Wallpaper (SparkNotes Literature Guide) (SparkNotes Literature Guide Series) - Kindle edition by SparkNotes.
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The Yellow Wallpaper.
Charlotte Perkins Gilman, feminist, was one of these women who used her writing to express the differences and hardships women went through. "Within a year of marrying, and after having given birth to a daughter, Gilman entered into her profound depression"(Stone).
Gilman was married twice in her life, the first.